
GhostRiders do Living History interpretations based on either first-person or generic approximations of frontier people and events spanning the Antebellum years prior to the American Civil War, up to the turn of the century and Oklahoma statehood.
The GhostRiders provide slices of history for public consumption -- an encampment, street scene, or some similar representation of daily life in the Old West, as well as supplying extras casting and background artists (mounted/dismounted) for the motion picture and television production industry.
The GhostRiders is not a comedy act. Our interpreters do not mock
the struggles of frontier hardship, but rather interpret and re-create
the daily lifestyles often overlooked by popular media and inaccurate
presentations. The GhostRiders is neither a gun club nor a
stereotypical fast-draw
outfit, but rather a troupe of performers
dedicated to an honest portrayal based on the best research available
(with particular emphasis on the turbulent Reconstruction-era Indian
Territory and early Oklahoma). The use of firearms or other weapons in
a conflict or opposing-force scenario is never gratuitous, but
sufficient to
demonstrate the consequences of trying to solve problems with force.





Real
West(A&E),The Return of
Lonesome Dove, Desperado, Covenant Rider, Legend, Magnificent Seven (series
pilot), Lawrence: Freestate Fortress
(documentary), the IMAX feature
Ozarks Legacy and Legend,
acclaimed director Ang Lee's
Ride With the Devil, the Mel Gibson film
The Patriot, Disney's
Alamo (2003)
and the National Parks Service documentary It Took
Brave Men: Deputy U.S. Marshals of Fort Smith.
See us on The History
Channel series "Wild West Tech".The GhostRiders have also been featured in productions by QVC, FX, United Paramount Network, PBS Home Video, the
Cherokee Heritage
Indian Education Foundation, Willie George Ministries, as well
as educational and historic organizations in Oklahoma and surrounding
states.
Non-period film projects include
In The Line of Duty; Ambush in Waco, Twister,
The Postman
and Ghost
of the Red Rose.
Oklahoma Historical Society Blackpowder safety certified. Headshots
& DVD video available on request to qualifying organizations.
Clients:
National Parks Service
United States Postal
Service
Oklahoma
Historical
Society
Fort Smith
National Historic
Site
Gilcrease Museum of
Western History
Woolaroc Museum and
Preserve
Tulsa
Arts and Humanities Council
Professional Golfer's Association (PGA)
United Paramount Network
PBS Home Video
Tulsa
City-County Library
System
Tulsa Public Schools
Broken Arrow Public Schools
Sand Springs Public Schools
Cherokee Heritage Indian Education Foundation
Bad Girls Trail Riding Association
KOTV-TV
KTUL-TV
Contact
Us...Post A Letter






These video stills from a gunfight for television illustrate
some of the hazards inherent in simulating a close-quarters firefight.
Note the fireball at the barrel of the pistol in the photo to the left,
where pressure and super-heated gas are capable of vaporizing flesh.
The photo to the right shows streamers of incompletely burned black
powder
(never wadding -- that's a big no-no) that can travel
considerable distance.
Even without a lead ball, professionals always treat blank rounds with
deadly respect.
The GhostRiders are skilled in performing western stunts, such as
gunfights and brawls. To insure safety, we
prepare our
own custom rounds (according to Oklahoma Historical Society guidelines)
for our period correct percussion and early metal cartridge firearms.
For
motion picture and video projects, squibs are used to simulate
bullet-hits. Live performances include a public safety demonstration on
the hazards of firearms.
The GhostRiders strive to present historical imagery in it’s proper historical context, and make every effort to clarify that historical context in the event such imagery has been or may be misrepresented by others.
The GhostRiders vigorously defend the rights, privileges and responsibilities of presenting historically correct interpretations of even imagery that may be currently controversial, but opposes the modern misappropriation of such imagery with equal gusto. Abuse of historical imagery with the express intent of harassment is not in keeping with our purpose of historical education, and is not tolerated within the GhostRiders.

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